Online Exhibition Reviews

Lin Emery: Ruminations; Arthur Roger Gallery, New Orleans, Louisiana; March 3-April 28, 2018

Review by Saskia Ozols Eubanks, Adjunct Assistant Professor, Tulane University

Lin Emery: Conversation. Polished Aluminum,  6 3/4 x 19 1/2 (orbit) inches, 10 3/4 inches (base). Photo courtesy Arthur Roger Gallery, New Orleans, LA.


Colours of Motherhood: Continued; The Diamond Shop, Morgantown, WV; March 10-30, 2018

Review by Linda Rosefsky, West Virginia University


Colours of Motherhood: Continued, installation view with Kelly Keifer’s The Orange Dress (2017) at center, Sally Deskins’ Working Mother (Reflecting on Silliness, Three Bodies in Air to Infinity) (2017) at left, and Martyna Matusiak’s Roots (2018) at right. Photo courtesy of The Diamond Shop.


PRINTWORK 2017; AIR: Artists Image Resource, Pittsburgh, PA; December 8, 2017-February 4, 2018

Review by Michael Slaven, California University of Pennsylvania

PRINTWORK 2017, Installation view, with Jason Lee’s sculpture Suburban Home (2015) visible at center. Photo: Michael Slaven. 


Dana Schutz; Institute of Contemporary Art, Boston; Boston, Massachusetts; July 26 – November 26, 2017

Review by Virginia M. G. Anderson, Independent Scholar


Dana Schutz, Getting Dressed All at Once, 2012. Oil on canvas, 73 ½ x 56 ¼ in. (186.7 x 142.9 cm). Private Collection. Courtesy Reiss Klein Partners. Photo by John Kennard. © Dana Schutz.


Art and China after 1989: Theater of the World; the Solomon R. Guggenheim Museum; New York City; October 6, 2017-January 7, 2018

Review by Kerr Houston, Maryland Institute College of Art

Installation view of Art and China after 1989: Theater of the World. Solomon R. Guggenheim Museum, New York, October 6, 2017-January 7, 2018 Photo: David Heald. © Solomon R. Guggenheim Foundation, 2017.

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